Limited to 88 pieces, this timepiece renovates the concept of the world timer by allowing its owner to read the time simultaneously in 24 different time zones.For Les Heures du Monde? VILLEMONT has developed its first in-house replica Rolex 16623-WSO Men's watch movement.The hour is read on a 12-hour scale and a day/night indication placed both next to each city and on the main bridge allows the watch wearer to know what time it is back home whilst travelling abroad.AESTHETICAL REFINEMENTThis self-winding mechanical movement is decorated with the utmost care by the best artisans.Through their meticulous work, they embellished the movement with a modern touch, unique to VILLEMONT.
The movement was developed and conceived in-house with the aim of combining the technical majesty of a complication with the aesthetical beauty of its decoration.As we all know, the movement decoration has to respect the functionality of each component in order to guarantee its performance.The VILLEMONT bridges, designed and replica Rolex 116528-MRO Men's watch decorated in full creative freedom, are an example of the perfect alliance between a traditional technique and an innovative design.Each component benefits from the greatest care so that the movement is not just the result of technical expertise but also a work of art visible from both sides through a sapphire dial and case-back.
It is within this studio, the master craftsmen produce the Credor Corum 101.251.90/0003PN54 Watch Sonnerie, a repeating wristwatch that you have to listen to in order to understand.Click here for a video of this unusual watch that features striking on a miniature Buddhist temple bell, rather than the traditional gongs used in European repeaters.On the wall is a small sign written in Japanese that shares the philosophy of this studio “Our watches bring long-term satisfaction, the feeling of Japanese and are reliable to wear until Grandchildren.” Truly the words of the watchmakers, not the marketers.1. John Reardon in Seiko Friday, November 5, 2010 at 9:15AM
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